Spotted!

We spot a 33″ white Mola Euro in this bts video from a recent Beach Bunny Swimwear shoot with curvy model Kate Upton.

and some final stills from the shoot…

Australian wedding photographer, Jonathan Dear brings us some lovely wedding day images he has created with the white 22″ Mola Demi.

“I love the portability of the Demi. I have tried soft-boxes, umbrellas and wide reflectors over the years but nothing compares to the Mola Demi. I can have it setup real fast and I don’t have to worry about wind outdoors.”

He uses a lightweight 600w Profoto lithium pack with the Demi mounted on a boom-stick and held by an assistant.

“It means I can move around alot, a sort of run and gun style shooting which is essential for the fast paced nature of a wedding day.” 

“I even use it for the family formal photos on the wedding day, and I’m able to get quite alot of spread out of it.”

Most of the time he uses his Demi unsocked, with either an OPAL or stacked OPAL + PAD centre diffuser configuration.

Here’s some of his images taken with the 22″ Demi…

www.vibrantphotography.com.au & www.facebook.com/vibrantphotography.com.au

Thankyou to everyone who has supported Mola this year!

We now have the Kase-S available for the 28″ Mola Setti softlights. This will house the Setti and Sollo softlight range.
Listed on B&H online here.

We are excited to announce the new arrival of our very own Mola Kase-D carry case for the 22″ Mola Demi!

This carry bag is constructed of Dupont Cordura, with room for your speedring, 2 grids and the 22″ Mola Demi. The case is reinforced with padding to protect your Mola Softlight. Further details are available here on our website – www.mola-light.com/accessory/cases/

The Kase-D is now listed at B&H for purchase. We will have a Kase coming out for the 28″ Setti shortly.

Toronto fashion photographer, Miguel Jacob, brings us some gorgeous images from his recent shoot for the Marlowe Fall/Winter 2012 Campaign. These shots for the Italian knitwear fashion label were created with a white 28″ Mola Setti with a black 20° grid.

Shot at S1 Studios, Toronto.

www.migueljacob.com
miguel-jacob.tumblr.com

San Francisco based photographer, Michael Corsentino brings us a great setup for shooting your own headshot. Mike keeps it simple using a white background, one light modified with a white 22″ Mola Demi with diffusion sock and a curved reflector. Usually creating your own self portraits can be quite tricky, but Mike uses a wireless approach allowing him to fine-tune the camera / lighting from his posed position. (read more about that here)

and the fabulous result…

www.corsentinophotography.com
www.corsentinoblog.com

Polina Osherov is a commercial fashion & portrait photographer working out of Indianapolis, IN. She loves being a visual storyteller, creating tales of romance and heartbreak with her team using strong directional lighting that lends a cinematic quality to her work. In this shoot titled ‘Indiscretion’, Polina uses a white 22″ Mola Demi. We love the old film noir look she re-created to tell this story.

Regular contributor Fiona Quinn from New Zealand brings us another gorgeous editorial titled, ‘Tokyo Swan’. Here she used the white 28″ Mola Setti for the photos and the last photo for the Wellington Style cover was with a white 22″ Mola Demi.

Fiona has been recently running some fashion and beauty workshops in New Zealand and some plans to bring them to Australia. You can find more about her workshops on her website here: workshop.fionaquinn.co.nz.

(again, as with the new layout, click images to see them bigger) 

www.fionaquinn.co.nz
blog.fionaquinn.co.nz